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it’s really happening

Photo Credit: R. Jordan N. Sanchez

Photo Credit: R. Jordan N. Sanchez

Today I signed a lease and booked a one-way ticket to my new home in California. I feel frightened, uncertain. To be honest, none of this felt truly real until yesterday, until I called my landlord from Asia and gave him notice that I was leaving my apartment building of five years. It didn’t feel real until I emailed a friend of a friend who’d expressed interest in taking over my apartment, writing, you’ll like it here. It didn’t feel real until I text’d my pop that I was leaving in a month’s time and I responded to his succinct cool reply with, so when can I see you?

And it didn’t feel real until I spent an hour on the phone with Jetblue negotiating a flight with my pet. When the agent asked when I wanted to book my return, I responded, I’m not coming back.

My best friend, a woman who I’ve known for half my life, writes, I can’t believe it’s really happening.

People move all the time. People leave their home for colleges across the country. People study abroad. People are itinerant. I’ve been none of those people. I’ve done none of those things. I went to college and graduate school here. And while I’ve traveled through much of the world I always flew home to JFK and felt the word home.

Until I didn’t. Until there came a time when I replaced the word home with here. Oh, I’m here.

I can handle logistics. I’m Type A; I’m surgical when it comes to details. I’m able to negotiate between various moving companies from a hotel in Singapore with ease but the one thing that I find difficult to do is sit with the unease that comes with the knowledge that I’m about to walk into the familiar, eyes open, heart first. Logically I know this is what I want. I know I need to move, however, that doesn’t make this experience any less frightening. It doesn’t make the questions go away: Will I find work while in California? When will I have to get a car? Can I parallel park? Will I find love? How will I adjust being away from everything that is familiar, everyone whom I love?

I’m feeling the questions hard right now.

it’s really happening: preparing for a cross-country move (part 1)

Photo Credit: Death to the Stock Photo

Photo Credit: Death to the Stock Photo

So….BIG NEWS.

I submitted my first application for an apartment in Los Angeles and the realization of this has me anxious. I’m a bit of a control freak so I tend to react to uncertainty by managing the certainty. Moving doesn’t feel real until you commit to an application process, background, credit, and reference checks, and it occurs to me that I’ll be moving in nearly two months. I’m excited but frightened all at once, so I spent the whole of this morning in organization mode. I made lists, organized links and wrote this post because the unknown feels a lot less daunting when you can break it down into small, manageable tasks.

While I don’t have my new address as of yet (I mean, I haven’t even been approved!), I’m putting planning into motion, and I’ll share my journey and mishaps along the way. It’s taken me a month to thoroughly research apartments and management companies from the other side of the country, and while it’s been a challenging, frustrating process (how much stock should one place on Yelp reviews?! Eternal questions), it’s been an auspicious one.

Today I’m sharing some of my preliminary thoughts and ideas, but I’ll pop in over the course of the next three months with details, mini breakdowns (I’m certain they’re imminent), and lessons learned.

Apartment Search: Without a doubt, the best investment I made was a six-month membership ($120) to Westside Rentals, which is basically an organized, vetted Craigslist. Their database of broker-free available properties is exhaustive, and you can set-up and save different searches based on price, amenities, location, etc. For me, WSR was a launch pad to extensively research and compare properties and management companies. I’m also using Hotpads (cool interactive map + visuals), Apartments.com, Zillow, Apartment List, and Trulia. As you might have guessed, I like options.

However, what’s been most interesting to me over the course of my research is defining the kind of home I want and my non-negotiables. Living in New York my whole life, I’ve always felt bound to what I could afford because space and location come at such a premium. Never did I conceive of living in a apartment that had a washer/dryer or ample closet space. (I realize saying this demonstrates my privilege, and I’m grateful for choice.) I’ve only once lived in a doorman building and that was because I was splitting rent with my then significant other. Browsing WSR’s options (bungalows, guest homes, homes, apartment complexes, lofts), I initially started with an open-ended search and a month later winnowed down to a few properties based on my desired requirements: elevator building, in-unit washer/dryer, dishwasher, ample kitchen space/cabinets, underground parking, and concierge for packages. Since I’m able to deduct a third of my rent for purposes of a home office, I’m considering properties that might have previously been out of my price range. I’m home for most of the day, space, solitude and convenience are important to me.

Also, if you’re moving with a pet, check the pet policies. I’ve been noticing pet rents and pet deposits on a lot of buildings, so read the fine print and ask questions before signing a lease.

Bottom line: Determine your needs based on your lifestyle and income. Be realistic about what you can afford and speak with your accountant about your monthly net income, expenses, any possible deductions, and your budget.

Moving/Movers: Believe me when I say that I’ve spent most of my life in New York as a nomad. There was a time when I moved apartments every year, and I’ve hired everyone from drunk men who broke my furniture to professional movers who ripped me off and held my belongings hostage. Most recently, I’ve used Flat Rate and Schleppers, and have been extremely pleased with the care they exhibit with my furniture and the speed and professionalism of the experience. Many of my friends who’ve moved cross-country have recommended Flat Rate, Charles Wood & Son Moving, and Oz Moving & Storage. I’m also looking into PODS. I’ve yet to make a decision since I haven’t closed on apartment and I need to inventory my apartment, but I’ll let you know who I pick and the cost. Many of my bookish friends have recommended that it’s cheaper to ship my books via Fedex since most companies charge by pound–I’ll look into that, as well.

I’ve learned that it’s smart to book my company a month in advance of my move and know that there might be chance I’ll be without furniture for two weeks. Know that I’ll be shipping my air mattress to Los Angeles as a precaution.

Bottom Line: Move only that which you need (because who wants to pay to move anything that doesn’t bring you joy?), do your research on moving companies, and book in advance. Also, check in with your new home/management company regarding any regulations with regard to movers.

felix, my special guy

Moving my Special Guy: As you can imagine, I get apoplectic when it comes to Felix. I LOVE HIM SO MUCH. As such, I’m admittedly melodramatic on the level of telenovela. I might have mentioned this, but during the first year of Felix’s life he was abandoned three times. As a result, he gets really upset when I leave for long periods of time or if I get him into a carrier. When I moved apartments a year ago, you can’t even fathom his level of hysteria. Knowing that taking him across the country will be an ordeal, I plan on booking my vet appointment a month before I move while securing calming meds (which I’ll test prior so as to ensure he doesn’t get anxious). I’ve purchased this TSA-approved carrier and I plan on purchasing a one-way, first class ticket on Virgin America, THE pet-friendly airline.

Everyone tells me that at a certain altitude, Felix will konk out, and his body will be in fight/flight mode so he won’t eat or go to the bathroom for the duration of our travel experience. I just know that the trip to and from the airport–especially navigating airport security, for which I’m purchasing a harness should they want him out of the carrier–will be a fucking nightmare. Friends have also suggested that in the few weeks before departure I leave out the carrier and take him for short trips around the block so he gets used to being transported.

Bottom Line: If you’re like me and treat your pet as if it were your child, talk to your vet about all the ways in which you can transport your pet. From stress-reducing pheromone sprays to outfitting your pet with a calming collar to doping yourself and your pet (kidding, well, maybe), do the research and plan so your travel experience is as calming as it could possibly be.

Change of Address: Luckily, you can change your address online and it’s super simple. Since I pay most of my bills online, updating magazine subscriptions, credit cards, Netflix (yes, I still get DVDs–I’m 39), debit cards, student loans, cell phone, and frequently-patroned retailers (for me, Amazon) is a cinch and takes me an hour once I’m in a groove. I’ve made a list of every vendor requiring an update, along with their site link/phone number.

Speak to your accountant to forms you’ll need to complete re: your move (example). I’ll also be completing change of residence forms with the DMV. If you have health insurance, you’re able to change your plan should you move out of state. I’ve Oxford, and I’ll be completing this form to un-enroll due to a life change and will select new providers/plan under California’s insurance exchange. This seems complicated, but I’ll let you know how it goes come September.

Bottom Line: Make a detailed list of every vendor that sends you mail or notices via email. Secure your username/passwords, and spend an afternoon making all of the address changes in one shot. I also plan on sending my closest friends an email with my new contact information.

Miscellaneous Logistics: Know that I’ve made an exhaustive list of all the little things I have to take care of before I leave New York, which includes: ordering a year’s supply of contact lenses, finalizing all of my dental work, getting my annual physical, GYN and mammogram before I have to switch carriers, cancel my safety deposit box membership, purchase new furniture (I’m getting this new couch and rug), repair any furniture that requires attention before my move, comb through all my paper documents and shred anything I don’t need, take another sweep of my books, clothes and posessions to see if there’s anything left to donate/give away, update my W9 forms with ongoing clients, give notice on my existing apartment come July, close out my NY-related utility bills and connect with my leasing office on utility/internet activation.

I’m sure there are dozens of things I’m probably missing, however, I have a notebook where I’ve been tracking anything that comes to mind, noting the kinds of mail I’ve been receiving (as I typed this I saw a Netflix DVD and took that down as a COA!)

Bottom Line: Plan as early as possible and know that nothing is too small in terms of logistics. Map what you need to do along with dates and any milestones you’ll need in order to get you where you need to go.

Photo Credit: Death to the Stock Photo

Photo Credit: Death to the Stock Photo

cherry coconut granola + a journey back to the wonder

cherry coconut granola
When most people think about the future, they dream up ways they might live happier lives. But notice this phenomenon. When people remember the crucial events that formed them, they don’t usually talk about happiness. It is usually the ordeals that seem most significant. Most people shoot for happiness but feel formed through suffering…When [suffering] is not connected to some larger purpose beyond itself, suffering shrinks or annihilates people. When it is not understood as a piece of a larger process, it leads to doubt, nihilism, and despair. –From David Brooks’ The Road to Character

This weekend I tried to go back to the wonder. When we’re small we believe in the infinite–we incant the word forever like sermon, like song, and we truly believe, as Edna St. Vincent Millay once wrote, that childhood is the kingdom where nobody dies. Remember that bike you rode with unsteady hands and how you drove it into a tree? You don’t remember the ride, you remember the fall–the sting of torn skin which will a scab you persistently pick, a wound that takes forever to heal. Remember that rain in August? How it came down like a victory and washed the streets clean and you got caught up in it, felt chilled to the bone amidst all the heat. You never conceived of being cold in August.

As you grow older you realize that your life is composed of a collection of firsts. Your world is complete and beautiful; you believe in fairies, magic, and old men who fly down chimneys. You stare up at the sky and wonder how planes can be suspended in midair, and in that moment you can’t fathom that one day you’ll be in a flying machine buoyed up by mathematics, science, and sky. You think people in China, India and Canada and wonder if they can see that plane too. For a time you are told that the ground is safe–it’s the one thing that doesn’t move–until you are in a place where the earth rumbles and shifts below your feet. A man points to a hole in the ground and says in a thousand years time this barren land will be filled with water–too bad we won’t be around to see it, haha!–and it occurs to you that there will be a great many things you won’t see, firsts for the unborn.

We are nothing but a clock inching us forever forward.

And then there comes a time when forever feels like a silly word to use because you’ve seen people lying in caskets, and how could forever exist when the people you love leave and never come back? You hear whispers of drunk men being paid $5/hr to don a red suit and bounce kids on their knees. Late one night you slip downstairs and see people you know pile presents under a tree. You feel a hand slide under a pillow leaving a quarter for a tooth. And then you begin to see that magic is about commerce and the moment we are born we grow to inevitably rot.

There go the adults storming the kingdom and bringing it to ruin. As time passes, knowledge, memory, and experience chip away at the wonder. And we absolve to preserve our children in the kingdom for as long as we possibly can, but we’re adults and we can’t help ourselves and the children become repeats of us with minor variations.

A man wakes at his desk and thinks: This is my life? All of it?

I have been happy. Is that success? –Advice on careers, finance, and life from Harvard Business School’s Class of 1963

I watch a movie where two grieving sisters come to believe that their dead mother will return. She said to wait, hold tight. But who’s going to record our heartbeat before God? I watch another movie where a pragmatist, a cynic, becomes undone when he sees what science and logic cannot prove. I read a book about character, which reaffirms what I already know–character is shaped and formed largely through how we breathe through and manage experience. How we breathe through the dark spaces and dig our way out of the darkness. Character becomes the hands that do the digging, and then the spaces between light and dark. Character becomes the breath between the tick of a metronome, how we manage the off-beat, the breath before the jump.

I’m thinking about wonder lately because I’m an adult who believes in the rational and pragmatic. I’m an adult who no longer believes in a god although so many people desperately want me to. Yet, I’m an adult who’s just realized that I haven’t had all my firsts. There are firsts left to be had! There are trees to crash into, knees to scalp and skin. There will be a new zip code that I will write on envelopes. There will be two hands that will clutch a wheel and propel a machine forward. There will be the heartache and break of farewell, the I will see you sometime soon. There is so much that is unknown and frightening and I know that I will be different somehow, once I emerge from the other side. Once I set foot into a new home thousands of miles away from what is safe, familiar.

There is a wonder that is not quite science and not quite god, but something beautiful that exists between the two.

Part of this has made want to turn inward, not share as much. It’s made me want to experience more. I’m finding that the more I talk about my move the more I allow people to ruin it with their constant questions and advice. The more I seek out wonder the more I feel subsumed by the noise of pragmatism. So I’ll be holding my hand close and you’ll know where I’ve landed when I’m there because right now I need to experience this first without having adults intrude.

I need the wonder.

INGREDIENTS: Recipe from At Home in the Whole Food Kitchen, with modifications
1/2 cup raw pumpkin seeds
1/2 cup sunflower seeds
4 cups of rolled gluten-free oats
1 cup pistachios, roughly chopped
2 1/2 cups dried, unsweetened coconut flakes
1 tsp ground cinnamon
1/2 cup brown rice syrup
1/2 cup maple syrup
1/2 tsp sea salt
1/2 cup extra virgin olive oil
1 tbsp vanilla extract
1/3 cup thinly sliced dried apricots
1/3 cup chopped dried figs
1 cup unsweetened dried cherries (or blueberries)

DIRECTIONS
Pre-heat oven to 300F. Line two baking sheets with parchment paper and set aside. Add the pumpkin + sunflower seeds to a medium bowl, cover it with water, swish the seeds around and drain it using a strainer over a running tap. Set the nuts aside.

In a large bowl (and I’m talking LARGE), toss the oats, pistachios, coconut flakes and cinnamon until combined. Set aside.

In a medium saucepan, heat the syrups + salt until they bubble slightly. Remove from the heat, stir in the olive oil and vanilla extract, and set aside. Stir the drained seeds into the oat and nut mixture. Pour in the olive oil mixture and stir everything until completely combined.

Divide the granola between two baking sheets and bake for 15 minutes. After 15 minutes, toss the granola, rotate the trays and bake for another 15 minutes. Then, toss the granola again and bake for another 10 minutes until the granola is brown.

Add the hot granola to a large bowl and toss in the dried fruit. Allow the mixture to cool completely before storing it in airtight containers.

cherry coconut granola

finding the edge of your ocean

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Usually I make it a point not to see people on Thursdays because this day is devoted to being free of people–I need time alone, in unadulterated quiet. I can’t function otherwise. However, I acquiesced to meet old colleague whom I admire and hadn’t seen in years. What he probably doesn’t know is how I remember him. He was one of the first who interviewed me for a job that I once loved and slowly, over time, began to hate, and much of the interview centered around The Shining. I realize it’s odd to talk about a movie so horrific so comfortably, but we laughed over the twins, dissected Kubrick, and I revealed a predilection for horror movies.

People who are frightened of flying are often put in mock planes so that they could overcome their fear by confronting it, by breathing through it. One is never comforted by statistics because we always think that our flight could be that one in a million. We ignore silence so wholly and completely because our heart wonders how is it possible that a giant machine can be suspended in midair? We think ours will be an inevitable ruin, a tumbling and fall, and no amount of comparing plane crashes to car accidents will help. But if you put us on a plane and make us go through it, again and again, the hope is that we’ll find a way to cope with maths, probability. We’re never really cured, but we can sometimes go on planes without believing we’ll die. I like to think of this as being at the end of our private ocean–a life spent on the shoreline and then we’re propelled to take out a boat and move it as far as it will go until we’re at the edge. We never go over the edge but we know it exists, we’ve seen it, and we take comfort that we’re closer to it than a life lived on dry land.

This is probably why horror and darkness comfort me. They are my edge of the ocean.

So in that small space of time spent with a stranger who will become a coworker and now a friend, how could he know that on that particular day I started to work through why it is that I’m able to sit so comfortably still in the dark.

Time passes.

Yesterday we spend a few hours in a restaurant that serves good eggs and has a tree planted in the middle of the dining area. We talk about a lot of things–work created and owned on our own terms, the place where we used to work, and more importantly, what’s next.

I told him about my decision to move to Santa Monica, how I didn’t want advice (please don’t, please don’t). When he asked about Santa Monica I told him it was about being in the midpoint between the familiar and the foreign, and he wondered aloud if I was prolonging that which I desired for the sake of being comfortable. Was I losing time by settling in a place that in my heart I suspect won’t be home. So why not risk it and plant roots to prove my gut right or wrong, to know that I made a choice without regret, that certainty will invariably reveal itself.

Why not go to the edge of the ocean instead of paddling halfway?

He said all of this without judgment, without talking about the pros and cons of north vs. south (I’m sure you’ve already worked that out), but he suggested I make a choice based on time and gut and heart–the rest will sort itself out. And then I came across a typewriter on my way to the bathroom in this restaurant, reminding me of my presence in prose.

I left exhilarated, confused, feeling as if I walked in a metronome and walked out oscillating wildly. I have so much to think about in the coming months, so much to consider.

Then I came home and fell into a world of work and watching The Fall. I felt sick because the character so closely resembles Kate in my novel and I realize that I’m not quite done with examining the masks people wear in my work. I’m still paddling–not quite at my edge yet.

A small note: For the next few months I won’t have comments activated on this space. It’s not out of disrespect, but more from a place of self-preservation, and a need to filter out distractions as much as possible. There will come a time when I’ll reopen them, I promise.

I must write: when a woman finally finds her vision

Illustration Credit: Summer Pierre

Illustration Credit: Summer Pierre


Anyone moderately familiar with the rigours of composition will not need to be told the story in detail; how he wrote and it seemed good; read and it seemed vile; corrected and tore up; cut out; put in; was in ecstasy; in despair; had his good nights and bad mornings; snatched at ideas and lost them; saw his book plain before him and it vanished; acted people’s parts as he ate; mouthed them as he walked; now cried; now laughed; vacillated between this style and that; now preferred the heroic and pompous; next the plain and simple; now the vales of Tempe; then the fields of Kent or Cornwall; and could not decide whether he was the divinest genius or the greatest fool in the world. –Virginia Woolf’s Orlando

When I was small I used to watch my mother knit; her thin fingers mastered the tango between two needles as they warred to create a scarf, shawl or blanket. For years I took up mimicry like a kind of cross-stitch, but I failed because the complexity of patterns and needlework subsumed me; the chink of cool metal forever eluded me. Here I was, a child composing haikus likening my mother’s voice to thunder, yet I couldn’t thread a needle. My thread always grazed the eye but never dared plunge through it. And I worried about this. A lot. If I couldn’t conjoin cheap yarn how could I possibly tell stories? How could I step into a world and inhabit it so completely? Words belong to one another, and a writer’s job is to sit amongst spools of thread and weave. Their work lies in creating tapestry, silent symphonies.

I think about the movie, Heat, specifically the “face-to-face” scene between Al Pacino and Robert De Niro.

These are two men who are what they go after. Two men who don’t know any other work than the work in which they do; their life is their work, no going back. And although the work is risky–it’s like risk versus reward, baby–the action is the juice. The work, the life, is the reward. Even in moments that feel like plague, when the ground gives way and the fall seems infinite, bottomless, we press on. We carry the weight of the dark on our backs in the journey into the light because all of it, the depth of it, the darkness of it, is worth the stretch.

We try to see in the dark; we toss up our questions and they catch in the trees. —Anne Dillard

A WRITER? Why do you want to be a writer? Writers don’t make any money, said a woman to me once. I remember the way she said writer, as if it were tinged, sullied, a word not worthy of the letters that comprise it. Maybe she thought herself as someone who could wash the stink off me, scrape away at the plaque that had begun to harvest its way into my heart. Because finance will make you clean again. This woman was a managing director at Morgan Stanley and I sat in her office discussing my resignation. I’d just been awarded admission to a fancy writing program and I was jubilant. My work until then had become a blanket intent on smothering me, and all I wanted to do was fucking breathe. For a time I relegated writing to a hobby state while I managed the serious work, my vocation, off to the side. Because I was an adult now. I had student loans now. I had an apartment now. I had a bone-crushing subway commute now. I had my mid-day Starbucks run now. I had happy hour now where everyone was on the road to ruin, night drinking until they saw black, now. I had to wake up now. I had to Monday moan now. I had to do this all over again now. I had to measure my own grave now.

The days had become repeats of themselves with minor variations.

I go through this a lot–trying to deny writing as something serious and true in favor of the work over there. And I always, invariably, come up short. I always end up working myself into a place of despair because while I’m good at what I do–marketing, projections, budgets, brand positioning and planning–it’s not the only thing I’m meant to do.

What I’m meant to do is write. Plain and simple. Although, in reality, not so plain and definitely not so simple, but give me a minute with this.

Illustration Credit: Elle Luna

Illustration Credit: Elle Luna

Over the weekend I read a book in one sitting, an exposition off of a widely-read essay, “The Crossroads of Should and Must”. I remember reading the essay with a considerable amount of interest and passing it along to my friends. I remember being inspired by Elle Luna’s words but untouched. Perhaps I wasn’t primed for confrontation because I was still sorting out the nuances of this freelance life, but now, right now, I’m ready to drive my car off the road.

I’m good at compartmentalizing things, brilliant even. When I resigned from my last job I talked a lot about having room for all my children to play in the proverbial sandbox, that none of them would be considered changelings. That I could practice my writing in one space, my affection for food in another, and finally, the marketing–the bill-paying stuff–in another silo, far over there. Never once did I consider how I could merge the three. How I could seamlessly move from one state of play to another and even imbue my life with play! IMAGINE THAT! Never did I think that three simple children could morph into one complex child.

Never did I realize that I’m now in the midst of my own needlework.

Over the past few months I’ve been thinking about my life. That might sound dramatic and it probably is, but when you’re inching your way toward 40 and you’re still in student loan and credit card debt maybe it’s a good idea to take a step back and take stock. I did the 8,760 hour mind map. I read a slew of books. I got angry all over again about shit blogger books getting published while I’m told my strange, beautiful writing will never find a large home (fuck this and the horse you rode in on). I thought about my move to California and the role a foreign place would have in the grand scheme of things (more alone time, more space and less distractions). And after all this noise and mess and thinking (all that yarn!) I asked myself a really simple question:

What brings me joy?

I started to look at everything I did over the course of the day and I realized that my joy lies in writing. Whether I’m working on a brand voice guide or a blog post or a short story, the art of weaving words together challenges and excites me. The art of reading and constantly absorbing information so that I can keep the knife sharp as it were, feels like home.

Writing is home to me.

It’s taken me 39 years of denial to admit that I have to put writing front and center. I have to design a career, a life, around my ability to take up wordsmithing like cross stitch. And I’ve finally landed on an idea that I’ve been sharing with friends over the past few weeks–a consultancy focused on storytelling.

Now, this isn’t about creating content or some other bullshit reductive term that looks fancy on LinkedIN or gets you penning articles for trade publications–as you know I don’t care about exposure or popularity. By default, I’m unpopular and far from mass market. What I’m talking about is the ability to hire me (and down the road, others) to help you create a world or tell stories. From product naming to brand architecture to helping you write your book, I want to be able to practice what I love, what I must do, EVERY. SINGLE. DAY. Will I fail? Probably. Will I get to connect with talented artists? Absolutely. Will I get better at what I do? You better believe it. Will it take the sting and weight off of having difficulty publishing my own experimental fiction? For the love of god, yes. Will I freak out? Probably once a day, on a good day.

But it’s like risk versus reward, baby.

Yes, she thought, laying down her brush in extreme fatigues, I have had my vision. ― Virginia Woolf, To the Lighthouse

I’ll unveil the official name + all the fireworks in the coming weeks, but for now know that I’ve set down my brush, as Lily Briscoe once did.

Know that I’ve found my vision.

climbing out of the dark + living the questions

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Have patience with everything that remains unsolved in your heart. Try to love the questions themselves, like locked rooms, or books written in a foreign language. Do not now look for the answers. They cannot now be given to you, because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer. –Rainer Maria Rilke’s “Letters to a Young Poet” (via)

I’ve been having a dark time. Even as I type that I laugh because it’s silly to think that time is something you can hold in your hands; that it’s something you’re able to possess, own. I’ve been thinking about time a lot–I suppose this is the sort of thing one does when they’ve reached the midway point in their life. We think about the moment and all the ones that eclipsed it, and we wonder not about what we’ve gained, but rather what it is we’ve lost. Time takes it all, it’s true, but I wonder if it’s possible that it seized more because I feel like the decision I made to join, and subsequently become part owner of an agency, veered me radically off course. While I know that the woman who sits here typing this is changed, is resolute and centered, I mourn the before. The woman who had so much velocity, wonder and ambition. The woman who launched a dot.com luxury resale business when none existed simply because she was told that there would be no other kind of work than the kind she’d been doing. Banking and the like–creating nothing, owning nothing–merely a chess player of paper. The woman who published a literary journal because she never quite fit in with the smart set who hailed from learned homes and prestigious east coast schools (even though she attended two of them)–the set who mainly published their own. She created this online home, this book of paper, because she wanted to surround herself with misfits, the people who didn’t get internships at The New Yorker, the people who didn’t have ICM agents by the time they were 25. The woman who nearly launched a nonprofit to help disadvantaged women in Brooklyn because she wanted to give back. The woman who wrote and published a book. The woman who…

You have to understand that sometimes I need third person. So bear with me.

The difference between youth and maturity, Andrew Solomon writes in an award speech, is patience. We’re hungry when we’re young, ravenous even–we wanted things to have happened yesterday, whereas the mature has slowed down a bit, is content with the right now; they plan for what’s to come. Solomon writes:

Youth is notoriously impatient, even though there is no need for impatience early on, when people have the time to be patient. In middle age, the wisdom of patience seems more straightforward, but there aren’t so many days left. But Rilke is correct that we must all write as though eternity lay before us. Enjoy the flexibility that span of eternity offers. The discourse between the young and the nostalgic retains some of its inherent poetry in the form of a longing intimacy. The freshness of younger people awakens memories in older ones—because though you, young writers, are yourselves at the brink of your own future, you evoke the past for those who came before you.

I think about the woman who kept moving and the woman who has been put on pause, and I wonder about reconciling the two. Because right now I feel stuck in the in-betweens. I don’t have the speed I once possessed, but part of me doesn’t want all of it, just a little of it. I think about children, how, for a time, everything is a first. There is no sense of risk or loss–they are reckless, they weave down streets like spools of thread let loose upon the pavement, while adults walk a fixed line. We sometimes get frustrated when we have to walk around children because they’ve deviated off course. Or perhaps we’re just a little too fixed in our purpose; maybe we’ve drawn a line that’s too rigid.

Solomon writes: As you ripen, you’ll notice that time is the weirdest thing in the world, that these surprises are relentless, and that getting older is not a stroll but an ambush.

I feel ambushed, confused. I was on a clear course, a road that lie ahead of me, and now I’m all over the place. Nearly 40, I’m rootless, directionless. I read a post about an itinerant writer who’s fond of books. Frankie doesn’t necessarily fit the profile of the New York literary success story (and trust me, I’m paying Frankie the greatest of compliments writing this) but she writes and writes and doesn’t care if it’s published in the way we’ve traditionally conceived of publishing. She must know that others exist, others who publish with Knopf, those who are celebrated by a small circle of like-minded people who believe that there are so many small dark books getting published because they’re the representative sample! Their small, dark books are getting published! Yet, they fail to see the world at scale because it’s blissful to be amongst the familiar.

I’m sure Frankie knows all of this, yet she doesn’t seem to care. And I admire her that–her lack of ego, her volition to write simply to create. Because, frankly, I do feel bruised. I wrote an extraordinary book, one whose prose and themes far surpass those of my first book, and while so many editors penned long paragraphs remarking on my skill, poise and prowess, my novel’s just too risky, too small, too difficult. Too many unrelatable characters (because, you know, great literature is filled with relatable people. /sarcasm). And this hurt for a time, especially when I’m surrounded by so many wonderful writers succeeding. While I want nothing more than their success, it doesn’t take the sting out of my rejection. I was almost willing to give up until my agent wrote me this extraordinary note telling me that no way in hell are we giving up on this book. That I should never judge my talent and worth by whether or not some editor chooses to publish what I write. The two, he’s often told me, are mutually exclusive.

That we can create something new beyond traditional publishing. That there’s a way to share my work in the world. Because fuck Knopf. Fuck the smart set. Part of me needs to reach back to that woman who didn’t care about any of it and created anyway.

I also thought about my career and part of me feels stalled because I haven’t yet undone 20 years of believing that one had to work a certain way. I admire millennials, I do, because they have this arcane way of seeing the world, rejecting it, and building anew. They shirked traditional office environment and launched start-ups and collaboratives. They redefined work while my generation scrambled to throw glitter on shit office environments and label what they’ve done as innovative. Millennials said fuck you and your definition of success. We’ll define it for ourselves, thank you very much. We have a watch; we know what time it is.

I read an article today about the importance of playing small. Tad writes,

Who’s to say that those reaching hundreds of thousands will have a bigger impact than those who only ever reach 100 but very deeply? No one. That’s who. Niching, the finding of our role in the community, will always and forever be the dance between width and depth. And they’re both equal and needed. We need people working broad and shallow. And we need people working narrow and deep. And everywhere in between. The only question worthy of being asked is, ‘What is it that you see missing that you want to give? And how do you want to give it?’ That’s it. There’s no right answer. And then how do you make it financially sustainable?

For so long I’ve espoused this minimal life, owning only what you need and love, and never did I consider that ideology could flow into my creative and professional life. We’re taught to produce, to produce, to produce more, faster, better, smarter, and it just occurred to me that I actually don’t want a big life. I nearly had an anxiety attack when 30,000 people came to my site in a span of a few days. I can count on my two hands the number of close people in my life. I only survived hosting readings and attending fancy book parties because I was drunk 75% of the time. While I was a partner in an agency responsible for client acquisition, I often brought a hungry and savvy coworker who was all too happy to work the room on my behalf.

It occurs to me that I’m not built for a big life so why do I think I need it? Why do I think I need the book deal, the big job, the everything?

I don’t. I just realized that today and, after a few months of subsisting on my own sadness, did I finally see a small flicker of light. A flame, really, but light nonetheless.

My friends have been telling me that I’m going to be all right. Out of everyone they know, I’m the one they never have to worry about. I guess that’s flattering, but I’m not sure I believe that I have this strange ability to always know when to flee a house just as it sparks, glows aflame. I don’t know. What I do know is that I’m moving and I’m exhilarated and terrified, and I really wish people would stop asking me questions and insist I perform only the excited dance. What I do know is that I live to write and I have to keep doing it regardless if it finds a traditional home. What I do know is that parts of my life were big and I fled it with abandon, in favor of the small, and now I want something that lingers in between.

We’ll see.

Note: I’ve removed comments from this post because this is one of the hardest I’ve written and I need to get it out without advice, or people remarking that this goddess bowl looks delicious or the photography is pretty or that I’m going to make it. While I do love and respect all of that, right now I need quiet. I need to sort out my thoughts and find my way back to the light, and I need to do that without the sound of anyone’s voice or words written below this post. I hope you understand.

INGREDIENTS: Protein Power Goddess Bowl recipe from the Oh She Glows Cookbook, with minor modifications
For the dressing
1/4 cup tahini
2 garlic cloves minced.
1/2 cup fresh lemon juice (about 2 lemons)
1/4 cup nutritional yeast or a bit more, to taste (I nixed this)
2-3 tbsp extra virgin olive oil, to taste
1 tsp kosher salt + freshly ground black pepper, or to taste

For the protein bowl
1/2 cup black beluga lentils
1/2 cup green lentils
1 15oz can of chickpeas, drained and rinsed
1 1/2 tbsp olive oil, for sautéing
1 small shallot, minced
3 garlic cloves, minced
1 red bell pepper, chopped
1 large yellow tomato, chopped
3 cups lacinato kale, roughly chopped
1/2 cup fresh parsley, minced
kosher salt + black pepper, to taste

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DIRECTIONS
For the tahini dressing: Add all of the ingredients to a food processor (or blender). Blitz and set aside.

For the protein bowl: Cook lentils according to package directions. Typically, lentils are 3:1, so I add 3 cups of water for every cup of lentils. After 25 minutes of simmering, I drained the lentils and set aside.

In a large skillet over low-medium heat, add the olive oil and sauté the chopped onion and minced garlic for a few minutes, being careful not to burn. Turn the heat up to medium and add in the chopped red pepper and tomato and sauté for another 7-8 minutes, or until all of the water evaporates from the tomatoes. The last thing anyone wants is a watery protein bowl. No bueno.

Stir in the chopped kale and sauté for another few minutes, just until tender. Stir in the full batch of tahini-Lemon dressing, the cooked & drained grains and lentils, the chickpeas, and simmer on low for another few minutes. Remove from heat and stir in the minced parsley. Season with salt and pepper to taste and garnish with lemon wedges and zest. Makes 6 cups.

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when you don’t know where it is you need to go

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Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suite on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on a Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourself. Choose your future. Choose life. –John Hodge, from Trainspotting

I don’t know where to go. There, I said it. I had the best laid plans–I’d spend three months in three states and decide where it is I’d make my home–and then life happened, I flew down to Nicaragua and all my plans fell asunder. I’m leaving in a few days and the only thing I know, in my heart, is that I need to leave New York within the next four months. I need to leave a place where people feel their handbags are a testament to their success and character, where instead of owning their possessions they are owned by them. I need to leave a place where people believe enlightenment can be found in the confines of a spin class. I need to leave a place where I’m crammed into a subway car and people are jostling; they live their lives traveling to jobs they hate, but the jobs pay for their finery, boutique fitness classes, and the $10 juices that serve as an acceptable form of starvation. I need to leave a place where the weather is a constant conversation piece. I need to leave a place that no longer feels like my home.

But I don’t know where to go.

Part of me entertains flights of fancy–I’d be some sort of digital nomad or travel the world for a year with only $20K to my name. But then I remember I own a cat and I have $1000 in student loan payments a month–real responsibilities–and I can’t just abandon rationality and real life because this isn’t The Secret; I don’t live my life in a petal pink delusion. In real life, I have monthly bills to pay regardless of where I go and I can’t just dump my cat in a friend’s lap–Felix is family and I love him that much.

But I want to go. Somewhere.

Ultimately, I know that I want to end up west but I can’t see myself there yet. Not in June. Possibly the end of the year. Until then I want to be somewhere else outside of the U.S. for 3-5 months even though I just signed up for pricey health insurance (there goes that pragmatic thinking again) and I have the logistics of pet passports and travel to consider. Part of me wants to explore Spanish speaking countries because I’ve an urge to be fluent and the question of quarantine is a non-issue.

I was supposed to come on this trip to figure out the details, draw an outline, but I’m back to where I started. Drawing circles in the sand and walking around what I’ve traced. Balancing memory, need, desire and reality. I was supposed to walk a straight line, write myself from here to there, and even though I always know that what you intend never is what you want it to be, I’m surprised (or maybe not), yet again, that I’m at the middle of my life and I haven’t figured anything out. I only know what I don’t want.

I don’t want leisure wear, matching luggage and a starter home. I don’t want a life treadmill. I don’t want 7-10pm and scrolling through my email during the four weeks of vacation I fought to have and everyone makes me feel guilty for taking. I don’t want a recruiter selling me on a company that lacks imagination and integrity, but don’t worry because the money is great. I don’t want unidentifiable food delivered to me. I don’t want to write blog posts like these and have people try to sew up my life for me–what I need right now is not a bandaid or an anesthetic, so please don’t. I don’t want to order a taxi with my phone and not care that the men who run the company hate women. But convenience, Felicia. Convenience. I don’t want to spend an entire day on the internet talking about a fucking dress. I don’t want to debate SoulCycle v. Flywheel. I don’t want to regard my book, this magical thing I’ve created, with bitterness because publishing is an industry crawling with sheep. I don’t want this: Why bother talking about ISIS because it’s not like my one voice can make a difference. So instead, I talk about two llamas and debate the color of a dress. I don’t want to wake up every morning and think: I don’t want this.

I don’t want what I can bear.

I stand in the middle of a forest, between two boulders and think, I want this. I close my eyes and fall asleep in the middle of a river, surrounded by 365 islands, and think, I want this. I look at my blog, this wonderful space I’ve created for myself, and wonder about a collection of essays I could write. I look at my bank account, about to be depleted come April, and wonder, how can I do any of this?

To be continued…

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the business of leaving

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Photo Credit: Death to the Stock Photo

I don’t know how to tell my father I’m leaving. Up until this week I didn’t know how to tell myself. But wait, let me back up.

The week was a blur of meetings, minor politicking and emails left unanswered. I met my friend and mentor for Korean, and we talk about the things we always talk about: we trade updates on our respective careers and people we used to work with and know. This person took this job at this place, did you hear? This person landed here and she seems really happy, last we spoke. We talk about heady things–data and marketing attribution models–and the personal. He tells me about his novia and plans to move out west. He asks about this trip I’m taking, the one he’s been reading about on Facebook. It’s a normal, perfunctory conversation, the kind of which I’ve grown accustomed. I have the speech prepared where I talk about the three states, my jubilation, and how nothing pleases me more than living in a town with a population of 6,000. Our food arrives and we tuck in, and he jokes about the fact that I like my beef well done. Shoe leather, we laugh.

My mentor is a kind of father, but not completely, yet enough where I let my guard down as I’m a watchman when it comes to my heart.

We pass vegetables between our plates and I talk about snow boots. How I’ve ignored the need to purchase them. How I’ve lasted the previous winter without them. And then, this week, I broke down and bought a pair and already I feel regret. Why, he asks. Boots are pragmatic, something I need, and I’ve always been the practical kind. Because this is my last year in New York, I say, flippantly. He pauses, allows the words to settle because he’s ahead of me. What I’ve said doesn’t register on my face just yet. I’m still moving food about my plate, talking about kimchi and kale. And then it happens–the words catch up and linger. Something in me seizes, quietly, and he says that I’ll always need boots because he knows I’ll temporarily return. How could I not return to the place I’ve called home? I think about Odysseus, nymphs, and an awaiting shore, but I don’t tell him any of this because it’s kind of strange to be bringing up the Greeks over barbequed beef–you know what I mean?

I want to tell him that this conversations reminds me of the one we had two years prior. I was in his office, head in my hands, talking about fear. He’d asked me if I was happy. Are you happy? I said, no. I already knew I had to resign from a job that had slowly begun to kill me; I had to stop working for a man I didn’t respect or trust. I had to stop becoming the woman I never wanted to be–bitter, stressed, angry, someone who practiced moral relativism like breathing. But what if I quit? What then? This life isn’t the one I want, but I know it. I can navigate it with eyes open. And if my friend (then colleague) hadn’t made me imagine what was on the other side of fear, I wouldn’t be writing this post. So I think about that conversation and how we don’t need to have it again, and that’s the silence that passes between us–the tacit understanding that this decision is familiar, and all I need to do is see out onto the horizon.

You’ll visit, he says. I nod. I’ll visit. What if I don’t secure freelance work? I’ll visit. What if I’m lonely? I’ll visit. What if I lose my apartment? I’ll visit. You know you’re giving up your apartment for good, right? What if New York is it? I’ll visit.

Now to only tell my father I’ll visit.

roasted cauliflower with dates + pistachios and a meditation on resolving vs. doing

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I’m not telling you to make the world better, because I don’t think that progress is necessarily part of the package. I’m just telling you to live in it. Not just to endure it, not just to suffer it, not just to pass through it, but to live in it. To look at it. To try to get the picture. To live recklessly. To take chances. To make your own work and take pride in it. To seize the moment. And if you ask me why you should bother to do that, I could tell you that the grave’s a fine and private place, but none I think do there embrace. Nor do they sing there, or write, or argue, or see the tidal bore on the Amazon, or touch their children. And that’s what there is to do and get it while you can and good luck at it. –Joan Didion, Slouching Towards Bethlehem

He was the kind of man who had been through war but dressed his wounds years after the fact. He was a heart worth beating for, a man who buried his face in my hair and let it rest there. We were in a restaurant in Utah and I rushed to the table and whispered, Britney Spears is in the bathroom! Back then, I wore a red wool hat the size of a small child. I don’t know what your plans are, but mine don’t include children. On our first date we took a good meal in a bad restaurant. When he asked, do you always drink like this?, gesturing to a wine glass that was never empty, I laughed and said, do you know of any other way? That night we fell asleep to the sound of a woman singing Chinese arias in the courtyard. Back then I lived in an apartment above a restaurant where tourists paid Italian men of a certain age and breed to play The Godfather on a weathered violin. When the halls smelled of bleach and the carousel of lights flickered and faded to dark, a woman would sing, always, as if her sad song could eclipse all the ones that had come before. You have to know that it was tragic to fall asleep to The Godfather night after night. Because there’s heartbreak in repetition, in a heart that never quickens, but only slumbers its way home. Part of me wondered about a man who fell in love with a woman who was intent to remain at war with herself, who felt shelter only by picking at healing wounds. Just to see if she could still bleed. Just because she could. Just because she knew of no other way.

We spent the holidays in Boston with a family that measured your self-worth by the accumulation of degrees. I’d pass muster because, you know, Columbia. I’d never lived in a house with two floors, much less a mudroom (What’s a mud room? I whispered as we removed our coats. A room before the others, he said), so when we arrived that night I crept up and down the stairs. Up and down. Up and down, again. I did find it strange that one needed a room to ready oneself for the rest of the house.

Over the next two days there was a fire, a brawl, a father who thought it funny to call me felatio, a battle waged against a sister who got rhinoplasty and changed her name because she was so tired of being Jewish, thickened mashed potatoes and tears (mostly his, some of my own), and I understood that a mudroom was a way out. Back then I slept on top of the sheets, never between them, with one leg off the bed, ready to run. Who knew that a room would be a leg, an escape clause, a get out of dodge kind of plan? I never thought I’d say this but your family is more fucked up than mine, I said. Let’s just leave, he said. He had this habit of removing his glasses and cleaning them, even after they were clean. He’d remove, wipe, wear, and remove, wipe and wear all over again. They’re clean, I snapped once, to which he replied, that’s not the point.

I realized then that I was dating a man whose last name meant screamer in German.

Who gives away their slow-beating heart? Who does this? Who lets someone in, all the way? I was nothing if not a collection of bones broken in all the wrong places, and as one year eclipsed another, as people stood beneath a storm of snow-mixed confetti–reports warned of thundersnow–as couples hastily and sloppily kissed, as children wore cone-shaped hats and raised valiant fists in the air, I removed my lips from his and said, this year I don’t want this. I couldn’t love another version of me. Back then I was impenetrable, incapable of love because I’d equated it to bloodletting, and who knew then that he knew this all along. That he made a game of seeing if he could break me because he was the gambling kind.

A month later I discovered that although my heart wasn’t capable of complete love, it was completely breaking. Men took me and my things to a small apartment in Chelsea where a man blasted jazz into the gloaming.

I thought about of this when I spent New Year’s Eve with a dear friend, and we talked about how we started each year, if we had been alone, if that meant something. Four years of thirty-nine I’d spent it with a significant other, and it occurred to me, a day later, that those others weren’t significant, I was alone, and all of it did mean something. Until now I hadn’t been the gambling kind. I hadn’t flung open the doors to the light just beyond the dark (had you been there, all this time? Just beyond my reach? Or had I been busy dressing all those open wounds?); I hadn’t run all the way out and in. I was running in circles, exhausted from chasing all the wrong things, and I was tired. So tired.

Because I don’t want to live in a house with a mudroom. Because I’m finally able to rest between the sheets. Because I’d rather be alone for the right reasons than with someone for the wrong ones. Because being anesthetized isn’t a way to live, rather it’s a way to affix bandages over a dam about to break, it’s a way to slowly and cowardly die. Because writing one-line axioms in a book isn’t really the same thing as living a life. Because there is a difference between being uncomfortably comfortable in the familiar versus feeling disquiet in the unknown. Because I’m 39, and I no longer want to feel the tic of a list but rather the rush of a life.

I don’t believe in resolutions. I don’t believe in resolving to do something instead of actually doing it. I don’t believe in being inspired by someone and letting that light, that whisper to do, fall to blight. Every year until now has felt like a photocopy of a bland original, but I woke yesterday thinking about all the possibility. I’m going to write without fear of not being published. I’m going to move to four states. I’m going to stop hiding behind my graduate loan debt, using that as an excuse to live in a house of no. I’m going to create. I’m going to break ranks. I’m going to sit in discomfort and disquiet because I know there’s a better place. And I’ve already booked my first AirBNB for my move to New Mexico.

And I know all of this will lead me back to a greater self, a self made whole, and then, possibly then, I will find something that resembles love.

Because this year I don’t want this.

Recipe for Balsamic Roasted Cauliflower and Dates, because this is what you eat after three slices of vegan coffee cake on New Year’s Eve.

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a minor fall, a major leap: a major announcement + life change

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Photo Credit: Alfredo Miguel Romero

Because I want to feel something again. Because I want to come down to my knees and feel the earth beneath my hands. Because I want to be itinerant. Because I saw Tiny and said, imagine that. Because I want to do something with my hands other than type. Because I’m tired of a city where death had undone so many. Also, I’m tired of cities. Because I seek an unadulterated sky. Because I wrote a novel about a family living in the West and who knew I’d write myself to where I plan to be? Because home isn’t a place, rather it’s the people to whom you return.

For now, let’s call my project Four Points West. Come September 2015, I will spend 3-4 months in Sante Fe, New Mexico; Helena, Montana; Seattle, WA and San Diego (or Santa Cruz, haven’t decided yet), California. I placed pins on a map and said, this is where you’ll fine me. This is where I’ll lay down my head to rest.

As I’ve mentioned, I’ve never left the confines of New York. Sure, I’ve traveled to India, Ireland, Taiwan, Italy, UK, Prague, France, Spain, Russia, Mexico, China, Korea, Thailand, Australia, Fiji, Aruba, Bali, Denmark, Germany, Canada, Cambodia, Vietnam, but I’ve never made another place my home. Next year I will make four unexpected places my temporary home. I’ll stay in AirBNBs. I’ll retake the road test since my driver’s license expired years ago. I’ll take my cat with me. I’ll sublet my home in Brooklyn or let it go altogether. I’ll sit in a place of uncertainty, inconvenience and discomfort because it’s better than this recognizable disquiet.

I’ve a lot to plan between now and then, but I’m exhilarated. I plan on documenting the entire journey, treating each place as if it’s a new territory, a foreign country. And while I hope to continue consulting in brand and consumer marketing, I like the idea of also doing work that requires me to do something with my hands. I guess I want to feel something more than what exists right now. I want to see how far I can go.

Admittedly, I’m terrified. I’ve $150K in graduate loan debt. I’ve credit card debt. New York is easy in the sense that most of my work is here, even if I don’t have to venture into an office. I’m leaving the comfort of all I know in pursuit of something that may be a disaster, financial or otherwise.

But another part of me, a small voice that was once a whisper has grown to a shout, and it says, why not?

More to come…

my journey to a healthier body, from the inside out: what’s next…

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This week-long series isn’t about how I lost nearly 30 pounds in three months, rather this is about a lifetime battle with my body and how I’m finally traveled to a place where I’m settled in my skin and love it, from the inside out. This week, I’ll be sharing highly personal aspects of my life as well as practical tips I’ve learned–all in an effort to inspire you and remind myself that every day requires self-work and self-love. I was going to introduce this series when I hit my goal weight, but that felt pointless, because this is a journey that has no end until the end, and that’s actually really comforting. Shocking for a Type-A control freak like me. In today’s post I talk about what’s next. And candidly, I’m not too sure what that is.

Right now it’s evening in Seoul and my friend tells me that she expected something different, something else. We’d travel fourteen hours on a plane and it’s as if we’re back in New York with its illuminated shops and iPhone cases in the shape of ferocious animals. My other friend bids us leave, opting to roam the streets and alleyways of the city where the scent of fried chicken, bone broth and perfume hangs heavy. Even though the sky is painted black, it feels very much like afternoon here–the streets are packed with kids tapping on their phones and everyone feels as if they’ve just woken up. As if the day is new to them, while I stand in the middle of it, jetlagged, exhausted.

Caught in the betweens.

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I spent the better part of my plane ride sleeping and the other thick in the business of self-reflection. There are things I want to talk about but I can’t talk about them online and somehow it hasn’t been enough to share them, even with my closest friends, in “real life.” Exquisite, remarkable, astounding but too dark, they say. Relentlessly so. I have to shake my head and say, no, you haven’t even see dark. I haven’t shown you dark; I’ve given you light. You just can’t see it. Waiting for one person to see it.

A memory: When I was in high school, I always placed second in writing contests. Invariably, this one girl, ES, would win. She beat me in clarinet because her notes were precise while I was creative and sloppy and she won all of the awards because her stories were tidy. They were the kind of stories moms were proud to read in PTA newsletters, while mine were the sort that got me sent to the guidance counselor’s office. I remember one year when a teacher (who’d been a judge) pulled me aside and said that my story was supposed to win, but how could they give an award for a story so dark? About a girl who hung herself, and I realized then that I was getting punished for writing about the places people didn’t want to go.

Years later I traded emails with ES, who told me that she always felt like a fraud getting those awards. When I pressed her on it, she said, because it was obvious that you were always better. You just scared people. What you write unnerves people. I imagine that you still do.

This is how I feel right now. Sleepless in Seoul.

What this food journey has been for me is a way to shed that last vestige of feeling anesthetized. Food has this beguiling way of making you feel as if it understoods; it’s the friend who will never leave. They’re one of the cruelest of attachments, and we tend to give part of ourselves to the thing that we’re consuming in hopes that what you eat will somehow, someway devour the pain. You say to yourself, I have this pain and I don’t know where to put it. Where do you put pain? Do you put it in a box and lock it away? No, it’s easier to bury it in a plate of pasta. To hide it neatly in the folds of a butter croissant. But what you don’t realize (until perhaps too late) is that when one pain disappears another bolder one takes its place. My stress was replaced by a physical sickness and while I’ve battled the last vestiges of deliberately self-medicating myself through food, it leaves me in a tricky spot of having to see the pain, the heartbreak and disappointment on the horizon (the wise rises, warbles light a note held for too long and then descends like plague), and I have to weather it. I have to play every hand as it lays even if there are multiple games on the table.

Now that I’m present physically, mentally, emotionally, now where there’s nowhere to hide, I’m forced to sit with myself and ask myself the questions I’d been artfully evading. I’m nearly 39 and I’m still unclear what it is that I’m doing with my life.

Here’s what I know. I know I’ve made a deliberate choice not to be a mother because I think there are other ways you can mother and mend without reproduction. I know I can’t be tethered to a desk five days a week for the remaining 40 years of my life. I know that just because I’m good at something doesn’t mean I’m meant to do it. I know that the people with whom I surround myself are greater than the work I’m tasked to do. I know I want to feel unsettled at the start of every project. I know I want to say no regrets, no regrets, and mean it. I know I need to stop being angry watching younger women making oceans of money by posting photos of them in their finery. I know the thing that brings me the greatest joy is writing.

Some of my writing is dark, true, but dark is relative. Dark is necessary, Dante once remarked, in order for us to be engulfed in light. One has to travel to hell to reach paradise but no one wants to know about the train you took, whom you met along the way, they just want you to cue angels and gossamer curtains and billowing robes. They want to hear about the pay-off, the destination, the ending. They want to hear that I’m clean and sober but they don’t want the details. They want to say I’m this remarkable writer but they don’t want to settle into my work. They want to pay people vast sums of money for their “writing”– these are people who can barely string together a sentence–but me, me, can you write this for free?

Presence and the clarity that comes from being this healthy (these constructs are not mutually exclusive) has given birth to an interesting idea. One that merges type, image, voice. A form that combines podcast, blog, photography and sound. A new one way to tell the story in the event the motley lot won’t fall in love with the ones I’m already telling.

I’ve made a very risky financial decision to leave one of my corporate projects in November to spend this trip and the month of December trying to figure out my life. I miss love, feeling wrapped all up in it. I miss the start of new projects and the failures and tiny victories along the way. I miss meeting some new people. I just wish every decision I made wasn’t tethered to rent and student loan payments. I hate that I’ve spent my whole life making decisions that rely on the kind of income I bring in.

What I’ve learned on this food journey? There are a lot of fucking bandaids coming off and this is A LOT for me to handle right now. A lot of good. A lot of confusion. A minor disturbance in one place, so bear with me as I try to breathe it out. What you can count on is more of this. Longer posts, further introspection, pictures of friends (when they’ll allow me to share them as I’m fiercely protective of the men I date and my friends and their private lives), my stories and the stories of others along the way.

What’s next? Fuck if I know. I’ll be 39 next month and I’m still trying to figure it out. I’m still looking for a few people who can see my vision.

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amer fort: jaipur, india {the longest post, ever}

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Perhaps I was too ambitious. Maybe I thought the physicality of ticking off an item on a list was still a marker of achievement. I came to India with purpose — I would have the space, time, and clarity to bring my novel home {the physical} while at the same time finding out if I need to define what it is that I want to do with my life {the mental; line forms to the left}. And naturally, there would be time, oceans of it, to complete freelance projects, and make sense and shape of all that is India. I would navigate its streets, inhale its spices, feel its people.

I never conceived of that fact that India is both exhilarating and exhausting, and I’m again reminded that once you attempt to define something, that thing changes its form until it is something else altogether.

We’re closing out our trip in Jaipur, which is a city of three million people, but it might as well be thirty with its symphony of sound, color, taste and smell. Yesterday we wandered The Pink City, and I tried to ignore the way men looked at us, looked through and under our clothes. I tried not to feel unsettled by the fact that there were hundreds of women covered in black cloth with only a slit for their eyes to betray their identity. We wove in and out of a thoroughfare of chaos with the constant drone of a horn honking {this is the norm, it seems}, people shouting, women negotiating fruit and fabric, men calling — always the siren call of the sea nymphs turned land turned street turned petal pink — cows swaggering, camels sleeping, dogs nipping, cats calculating, and the seven of us wandering, making sure we were always, always together.

There was the hiss and spit of fire {The river’s tent is broken: the last fingers of leaf/Clutch and sink into the wet bank. The wind/Crosses the brown land, unheard./The nymphs are departed, writes Eliot}, the spark of turquoise and cobalt dyes, the men walking beside me, telling me, It costs nothing to look. Come look. Come over here. I do not follow because I think of the fire and charcoal and how it is possible that within eight short days I can bear witness to so many examples of following a loved one into the dark.

I was supposed to finish this book. I had a kind of idea of how I would end it. The novel is a triptych of sorts, a verse repeated three times — three generations of broken women — but finally broken {a new song sung, a new page being written} by a woman who starts off the story by setting a woman’s hair on fire, but ends up wanting the single thing she, and all of the women who had come before, had been missing — someone to follow her into the dark.

Believe me when I say that I see the pages. I see the words as I’m typing them, but all I can do is feel. All I can do is exist amongst these stories people whom I hardly know, tell, and I’m reminded of the fact that I am very much on the verge. I am on the precipice of something, and the idea of returning to New York to deal with all this shit is at turns thrilling and frightening.

I’m genuinely excited and frightened of a great many things, and this is okay to feel this. It’s okay to settle into the dark but not set up shop in it. To not lay your bricks down, but perhaps a little blanket that you can carry with you when you’re ready for the light.

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Today we spent a great deal of the deal at the Amer Fort in Jaipur. From the intricate fusion of Hindu and Muslim architecture and the iridescent embossed silver mirrors, walls and doors, to the cool pastels of the summer rooms and the the apartments of the 12 women the king kept, the Fort {Palace} is an extraordinary sight to see. One could wander the stairs and tunnels and complex irrigation systems all day. We also procured fragrant oils in cactus, lavender, jasmine, sandalwood, rose and grass, whose flowers were hand-pressed and melded with hands that come from three generations of fragrance manufacturing. We saw fakirs {!!!} and cobras and dogs on their backs, and monkeys, who, in one moment would eat from the palm of your hand and then attack it.

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All the while I think of an honest love letter a new friend of mine wrote to her childhood friend, who has slowly become more than that. I remember reading it over dinner and feeling the familiar ache of a woman who has the strength to risk plucking out her heart and laying it down to be received. I was struck by this love described so simply, so plainly, and it is the very thing in which I desire for myself and for my Kate, the center character in my novel.

I think of our tour guide, Raj, a kind man who regaled the story of he {a Brahmin} and “Sweetie” {his Sikh wife}. They were beloveds through high school and college, but they kept their love a secret to no one save the very fundamentalist family. So Raj would escort her on movie dates and drop her off around the corner of her house, and Sweetie would pursue three different degrees to defer the suite of arranged Sikh suitors her parents had dutifully selected. Sweetie went on her interviews, which were a constant play on what is said and unsaid, and after having told three families that no, she does not eat meat, and no, she does not cook, and no, she is not religious, Raj’s family met with Sweetie’s and told the story of two people very much in love.

In short, this meeting was a disaster. Raj’s family was escorted out before the chai had been laid down on the table, and the father blamed the mother for the catastrophe that was Sweetie’s digressions. Family members made the 10-hour journey from Punjab to discuss, for 15 days straight, the plight of Sweetie. There were tears, threats, anguish and despair, and finally Raj took a calculated risk and told the family that he and Sweetie had already signed papers to be married.

A family debacle is one thing. A legal one is quite another. Arrangements were made, concessions acquiesced to, and for seventeen years Raj and Sweetie made a wonderful home and life for themselves, and the families became whole with the birth of two very beautiful children.

I listen to this story on a moving bus, and parts of it are funny and other parts are heartbreaking, but the light, the love is palpable, and this was once a young man who would risk everything for the woman he loved.

I think: I have this. I have this story in my hands and what to do with it? I wait for the time when mind, heart and hand are ready to move. I’m excited for the velocity of this book. I’m frightened of my personal velocity {the life undefined, the financial insecurity that is real}, and I know right now that I can’t control any of it.

All I can do is breathe, be present, and hope that life and art intersect and the character gets her way and the woman gets her way, and everyone is followed into, and ushered out of, the dark.

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