Posted on April 29, 2013

She was calm and quiet now with knowing what she had always known, what neither her parents nor Aunt Claire nor Frank nor anyone else had ever had to teach her: that if you wanted something to do something absolutely honest, something true, it always turned out to be a thing that had to be done alone. ― Richard Yates, Revolutionary Road
In the end, all cities bleed back to New York. All cities are a great, sweeping metropolis where the motley lot stack horizontal in subway cars and pretend to ignore the downtrodden who’ve taken shelter in makeshift homes constructed of cardboard boxes on the sidewalk. They sleep with pets or in pairs, but mostly alone. We’re told not to give, to report, to move right along, and whether we know it or not, we’ve become expert editors, excising all that is not beautiful out of the frame. The uncomfortable, the unsightly, never stays in the picture.
In the city, we wait on an endless succession of lines. We’re told to complete forms, bring identification, and you’ll notice we’re closed nearly twenty-four hours a day. We wake up, we work, we complain about work (and sometimes explore our options, but never really deviating too far), we work out and get drunk and go to sleep. We travel in packs; rarely do we drift from our spheres of influence unless it’s strategic. We’re card-players without ever having learned the rules of the game. But we play, and we sometimes win (dumb luck) or blame others for a bum hand (what the fuck?). In the city, we ridicule other cities and treat them like they’re quaint and provincial specks on a map should we ever visit. The country is for sleeping and the ocean is for taking pictures of our feet. Our constant struggle is the weather, and how, like the porridge, it’s never just right. We subscribe to dozens of newsletters, follow and befriend the right people, so that we’re constantly informed, always connected. Interesting how we’re vociferous about our left leanings, but keep close to the class that binds us.
There are no accidents. Arbitrary is a word that doesn’t exist in our vocabulary. This is the formula, the regimen to which we’ve subscribed, and the days become photocopies of themselves with minor variation.
But I swore Paris was not like this. It somehow escaped the drone of mobile phone alarm clocks and a rain that chills you to down to bone. PARIS! NOT PARIS!
I’ve spent the greater part of the past decade writing an ode to Paris. From the peonies painted pink to clusters of blush roses, to steamy baguettes wilting paper sacks and pink skies settling on the Seine, from cobalt blue doors and balconies for which arias were written, to manicured gardens and trains that hurtle into the countryside — it’s easy to romanticize Paris. It’s new, all talcum powder on the body and cut grass. We’ve yet to develop our blinders; we haven’t lived in the home that refuses to heat. We haven’t dragged four pieces of luggage through the underground metro system in the middle of rush hour.
Last fall, I gave serious thought to leaving a job that was slowly killing me. In three years I went from a person who created, who thrived off of the relationships I’d cultivated with others, to a person who sent all-cap emails that read, CASH MONEY. To a person who worked all hours, rescheduled, cancelled and spent months ordering take-out. In September, in Paris, I wondered about the woman I had become. Who am I? This realization was terrifying, it implied major alterations had to be made, and it was a reality of which I wasn’t ready to confront. Instead, I created this bombastic love affair with Paris. Much like April in Revolutionary Road — making Paris bigger than it is, so much so that she gets crushed by the enormity of her hope and the inevitability of her heartbreak — this affair was a cringe-worthy hot mess, replete with French lessons and culinary school research.
It took me ten years to realize that the luggage comes along for the ride no matter how beautiful the scenery.
While Paris is remarkable, magical even, it’s still a city that demands one live in it with eyes open. Part of me wishes that I would’ve taken that trip to Bordeaux, kept the romance alive for a little while longer. Stretch out the dream, slip into it, face full of childish sleep and wild hair. But I’m awake, band-aids ripped off and the bright lights flicked on. I leave Paris tomorrow for New York, ready to leave but not quite ready to go home.
Stop asking, stop checking. I don’t know. {emphatically} Start being there. Start accepting the in-betweens. {emphatically} I want to find my way back to myself. I want something sweeping, unsettling and great.
But first, a day of solitude. Of quiet. Of sitting uncomfortably in one’s thoughts. Inspired by infectious energy and beautiful photography on Paris in Four Months, Carin inspired me to take a trip to Rose Bakery, located on the second floor of Le Bon Marché. I spent the morning reading, eating muesli, scones, and banana chocolate loaves in a delightful tea room cloaked in effulgent light. While the tea room is decidedly expensive ($6 for a cappuccino?), it was a gift to myself, a lovely quiet morning before the impending storm.
Posted on April 22, 2013
Who knew a coffee joint could accrue such mass adoration? That a single cup of brew could send the motley lot singing? Enter Telescope, the very revered coffee shop that has managed to elevate Paris’ once-tepid coffee game. Once you enter, you have your pick from a slim menu of espresso, filter coffee, noisette or white coffee, and watch as your coffee is ground to order using a Kalita Wave filter in concert with an Über Boiler. Pull up a chair and chat with the owners or friendly barista, who won’t admonish you for your appalling French, and fawn over the miniature cakes and a filtered coffee experience that feels borderline luxurious.
Posted on April 18, 2013

You could say that I went a little crazy when I left CDG. As soon as I reached my hotel, I raced up the stairs, dropped my luggage, and fled out into the street. Hair matted, wearing a mismatch of pale blue, I armed myself with a list of places to go. I was ready for Paris because I was wearing elastic.
As a lot of blogs have fallen to blight lately, have become all starry-eyed over the foliage that is the American dollar and how many sponsored posts it affords you, I’ve pared down my daily reads considerably. However, Paris in Four Months is a mainstay, not only for the lush, bleached-white photography, but for the easy simplicity to which Carin presents her finds. When reading her posts, one feels as if they’re fingering antique jewels in a music box. Thus, I made a point of jotting down some of her favorite eats, and Le Loir Dans La Théière was at the top of my list.
Named after the dormouse who meets his peril when dunked in the pot at the Mad Hatter’s tea party in Alice In Wonderland, the cozy eatery is far from nefarious. The plush, mottled couches and counters teeming with sweets are nothing short of inviting. Located in the heart of the Marais, Le Loir is know for their lemon meringue pie (although they’ve an edited menu of light salads and sandwiches), which towers over you, daring you to finish it to the very last forkful of crème.
Believe me when I say I tried, but in the end, it was: Felicia = 0, Meringue = 1.
I chatted up the locals seated next to me to learn that Le Loir is a favorite. Locals come for long, lazy brunches and late afternoon sweet fixes. Clearly we got our fix as we wiped our plates clean and fled into the night.
Posted on January 20, 2013
My friend Mary is one of those bright lights who can whitewash a dark sky. Could convince you that the sky would be much better pink and you’d believe her. For as long as I’ve known her she’s been in a constant chrysalis, and I have to confess it’s a beautiful thing to see. We found one another at Columbia, and while I tend to write around my heart, Mary has a way with words that yanks that beating heart out of your chest and lays it out to pasture. While I prattle on incessantly about clocks under the floorboards {my fear of time, of death}, she’s spare, honest — unflinchingly so, and you want to be cast in her light, feel the warmth of it.
It occurs to me today that I now know why I’ve always loved The Shining the way I do, with an intensity that sometimes even hard for me to articulate. The whole movie is allegedly a fantastic journey into the heart of darkness, a macabre tête–à–tête, when really it’s about an alcoholic, abusive father who happens to be a terrible writer. As he attempts to write his way out of the mirror that is his own story, his son travels into the recesses of his imagination and he too conjures his way out. In the end, the son is the calculating architect of his father’s demise, while we all walk away and talk about the twins, the bloody elevators and Redrum. The Shining is a series of literary diversions from real, raw pain, and I tend to pick up words like cross-stitch to create a wall between me and you.
It’s not personal.
Perhaps this is why I adore Mary so much. There is no pretense, she plays out her hand. And this is perhaps also why she’s the first subject {perhaps unknowingly} of my mini-series, Through Kitchen Windows. Over the next year I’ll bake and cook the recipes that are near and dear to my friends’ hearts. I also learn the story behind the food {and share what my friends feel comfortable sharing} on this space.
My friend Mary hails proudly from Maine, and today we talked about a different sort of Maine. Not the one we think we know — all L.L. Bean, lobsters, glinting waves and whip-white sails — but of the poverty, the wrecked economy, of the folks who have lived in Maine their whole lives but will never own a boat. But my friend’s pride and passion for her home is infectious, so much so that she radiates when she talks about whoopie pies — a childhood treat. And although I’m tempted to alter this recipe, hide the Crisco, futz with Dutch Process cocoa, I would be doing my great friend a disservice.
Because this is exactly how she remembers home, and one should never alter that…
INGREDIENTS: Recipe {and words} courtesy of my sweet gal, Mary Phillips-Sandy, who culled this from two old New England
recipes I found online and some consultation with my mom.
For the shells
1/2 c. (1 stick) unsalted butter, room temp
1 c. light brown sugar, packed
1 tsp. baking soda
1 tsp. baking powder
1 tsp. vanilla
3/4 tsp. salt
1 egg, room temp
1/2 c. cocoa powder (Mary uses and recommends Hershey’s, for that you’re-back-in-grade-school flavor)
1 c. milk (whole, or almond — unsweetened plain)
10 oz. all purpose flour OR 10 oz. Authentic Foods Multi-Blend gluten-free flour*
*Note: if you are using AP flour and don’t have a scale, it’s about 2 1/3c. if you use the gf blend, use a scale for best results. I have not tested this recipe with other GF blends so can’t vouch for them. if you want to experiment, note that the AF multi-blend is made with xanthan gum, so you’d have to add that if you are using a gf blend without it.
For the filling
1 c. Crisco (YES. CRISCO. MUST BE CRISCO.)
1-1 1/2 c. confectioner’s sugar
1 1/2 c. Marshmallow Fluff (if your store doesn’t carry this, you can order it online from Amazon)
2-3 tsp. vanilla
1/4 tsp. salt dissolved in 2 tsp. of warm water
DIRECTIONS
For the shells
Preheat oven to 350. Cream butter till fluffy. Add sugar, cream well. Beat in baking powder, salt, soda and vanilla. Cream well. Add egg. Guess what? Cream well again. Add the cocoa. Cream it. Add the flour and milk, alternating, beating well between each addition. Start and end with flour. Why? I have no idea but recipes always tell you
to do that.
Line a cookie sheet with parchment or Silpat and drop batter on it in scant 1/4 c. scoops. Leave room- these will spread as they bake. You can also use a tablespoon or smaller cookie scoop to make smaller pies. Bake 15-18 minutes (baking time will vary depending on whether you use regular or gf flour, and how big you made your pies). The tops should be dry and firm to the touch. Use a spatula to lift shells onto a wire rack to cool.
Cool completely before filling them, or the filling will melt and you will regret your impatience.
For the filling
Beat Crisco and Fluff together at high speed until creamy and fluffy. Add dissolved salt and 2 tsp. vanilla. Beat well. Beat in 1 c. confectioner’s sugar. Taste. You might want to add another teaspoon (or even two) of vanilla, depending on how strong your extract is. Beat in another 1/2 c. confectioner’s sugar if the mixture is not stiff enough–it should look like very stiff buttercream frosting. If it gets too thick, beat in another 1/4 c. Fluff. This filling is very forgiving–you can add more sugar/Fluff/vanilla to your taste, as long as you maintain the right consistency.
For assembling the pies
Pair shells in twos; try to make pairs of roughly equal sizes/shapes. Spread a healthy amount of filling on the flat side of one shell. Don’t spread all the way to the edge, or it will ooze, but you want the filling to be pretty thick. Sandwich the second shell on top of the filling and press lightly to adhere. These will keep for a day or two. For best results, wrap each pie in plastic wrap and refrigerate in an airtight container.
Posted on October 27, 2011

For a day as dreary as this, I firmly believe that the only salve is chocolate — or banana pudding, or peanut butter + jelly cupcakes, or marble cake, or chocolate cloud cupcakes, and so on. Whenever I get a little blue, I escape to The Little Cupcake Bakeshop, because what could possibly go wrong when you’re surrounded by whipped cream, coconut frosting and clinking cups?
Today I took a sweet friend to indulge in some very necessary Brooklyn Blackout Cake. And as Sinead O’Connor so sagely sang: NOTHING COMPARES TO YOU. After sampling desserts in many eateries, I’ve never consumed a cake as rich and delightful as the Blackout served at Little Cupcake. From the rows of seasonal and savory cupcakes — decorated with terracotta sprinkles and pumpkin ganache — to the sinfully rich Oreo cheesecakes to the grandmother-approved banana puddings, I always feel at home at this local Bakeshop. Maybe because good things exist there. As we dove into layers of chocolate and frosting, fork-first, I was reminded of what lies ahead.
When people ask about my ten year plan, I say with conviction that I’ll open a bakeshop. This might be a flight of fancy, but it’s mine and I’m determined to make it happen. From creating digital menus to hunting down a warm, inviting, yet austere space, I dream of the day when I can serve pumpkin pull-apart bread while a friend of mine reads from her book, while another friend hangs his art in the loft above. If I were to create a life for itself, it would involve consulting in social media, baking to my heart’s content, writing books, and sharing my passion with others. Because I’ve learned over the years that I’m not satisfied with being only a writer, or only an executive, or solely a baker — I am happiest when I’m all of these things, at once.
So here’s to lofty dreams and the will and desire to make them come true!











