But I opened my eyes too suddenly, for no reason at all, and the beach at East Hampton has vanished, along with Bluebell and the cats, all of them dead for years now. The Turkish towel is in reality the white nubbly counterpane of the bed I am lying in, and the cool ocean breeze is being provided by the blessed air conditioner. It is ninety-three degrees outside — a terrible day in New York City. So much for my daydream of sand and sea and roses. The daydream was, after all, only a mild attack of homesickness. The reason it was a mild attack instead of a fierce one is that there are a number of places I am homesick for. East Hampton is only one of them. –From the Preface of Maeve Brennan’s The Rose Garden
I want to go. Now. My landlord asks me if I can send him my utility bill for a rebate. In response, I turn off my phone and bury it under a blanket. At home, where I’m lulled into an odd delusion of serenity, horns blare for five hours straight. Amidst all of this anger, all of this come on, now. All of this I have to be somewhere and why can’t the ant that is your car inch forward? Just drive. Why can’t you move your fucking–? Heel of the hand pumps hard. I’ll show them. I’ll beep this horn longer than they think I can. A woman shouts out her window, you’re a real big shot. You know that? And I don’t know if she’s talking about the dozens of ants in their cars honking or if she’s making small talk. There’s another woman who sometimes paces my block and she talks about how her face is peeling off. Her only salvation is Jesus Christ, so it’d be real good if you people could accept the Lord as your goddamn savior so my face can get back to what it was. I live in a neighborhood forever in repair. I live in a place where people move the curtains to one side, curious. Is her face really off? The woman bellows, can you hear me?
Oh, I can hear you. I think the only thing that can take off your skin is you smoking in the heat. Snakes like the desert; they prefer the heat.
Silence is a tree, I say once. In a forest, my pop says. Where no one’s there to hear it, I complete. I don’t buy that, my pop says. There’s always someone in the forest. A bird, an insect, a body covered in cool leaves–there’s always signs of life, my pop tells me. You can’t erase life out of a forest. One can’t unsound. And I say it’s not about the life which occupies the inside and perimeter, rather it’s our distance from it. So why a forest? Why not a boat in the ocean? A graveyard, he laughs. Ha ha. And I’m all straight when I say there’s probably more life among the dead than among the living. Look at the obsequious somnambulants–all of them–sleep-waking into their phones!
And so it goes.
Over the weekend I watch a funny movie about suicide. Trust me on this one. After the film, I keep thinking about the main character, Sophia, and how I have ashes of my Sophie on top of a bookcase and would it be cruel to put her away, somewhere quiet (but we’ve determined there is no quiet, no unsound, no fucking forest) because maybe it’s time? But this: I remember the rise and slump of her chest, how I held her–all four pounds of her–in my arms. I still own the sweater from the day when I last held her and I think about burning it. Would I keep those ashes in a tin nearby too? Is silence me in a bedroom crying into a chest where a heart no longer beats while a man with a needle and a woman with a towel wait patiently on the other side? Is silence the door that divides the two? Are we nothing if not the architects of our own forest, the makers of our own doors?
There’s a book on the floor, one I’ve been meaning to read–Half a Life. Tick toc, tick toc, toc.
I never got to be in the driver’s seat of my own life, a woman weeps. What is this, I think. I’ve become the sort of woman who cries over sentimental movies. I never used to be this way. I never used to cry. I used to go through my life not feeling much of anything.
I’m told that neural mirroring is a sign of empathy. Sit in front of a psychopath and yawn. For most, a yawn is contagious–people unconsciously mimic as a sign of compassion. Yet there are those who will sit across from you; they’ll engage in polite conversation and ask if you’re tired, and then you realize you’ve met someone who’s not interested in playing your yawning game. They’ve got their own forest. Their own locked doors. And then you wonder if rationality is standing behind your gossamer curtain, face up in flames. Because you’ve got the itch. Your skin is peeling if only you would just say the words. Give in to Augustine and Montaigne, into a book that foretells a white kingdom where only a privileged few are given trespass.
When I was younger I had a habit of chewing the ends of my hair. I quit it during college because eating one’s hair is the sort of thing that makes you stand out and the irony of college is that the training wheels have come off and being an adult becomes a precious exercise of blending in. Four years later I’m at a party in an apartment where the floor threatens to give way and Cate arrives with a white kingdom in a glassine bag and I’m still Christian. Back then, I still believe in a god but after that first line, after I twirl in a bathroom and maw at my ends, do I wonder if this vast white forest supersedes an old story in the oldest book.
I tell the story of silence like a knock-knock joke. I text my pop, what’s silence. We play this game. We’ve gotten good at it over the years. We rearrange the furniture, dust the curtains and put out a tray of stale cookies. Silence is the sound of holding your breath. Still looking for your forest, he says.
I suppose so. I suppose I will grow homesick for this forest when I make passage to another.
INGREDIENTS: Recipe adapted from A Modern Way to Eat (I’ve altered the recipe quite a bit)
3/4 cup gluten-free flour (I use Cup4Cup)
1/2 cup brown rice flour
1/4 cup coconut flour
1/2 cup coconut sugar
1 cup seeds (1/3 cup hemp seeds, 1/3 cup sesame seeds, 1/3 cup black sesame seeds)
1 tsp baking powder
3 medium bananas, mashed
2 tbsp olive oil
1/4 cup + 1 tbsp coconut milk (full-fat)
2 tsp vanilla extract
2 large organic eggs, lightly beaten
Preheat your oven to 400F. Spray a loaf tin with coconut oil and dust with coconut flour.
Mix all the dry ingredients (flours, sugar, seeds, salt and baking powder) in a stand mixer with a paddle attachment.
In a separate bowl mash the bananas, then stir in the olive oil, coconut milk, vanilla extract and eggs.
Gently mix together the wet and dry ingredients, just until there are no pockets of flour left. Pour the mixture into the loaf pan, then bake a little lower down in the oven for 35-45 minutes or until a skewer inserted into the loaf comes out clean.
When the loaf is cool enough, transfer to a cooling rack. This is pretty yummy still warm, but also good at room temperature or toasted and spread with either butter and a little honey or almond butter. You can also use this as French toast or in bread puddings.